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“If your taste is more experimental than established, check out this new movement-theater work from the Mason Holdings theater company and the writer and performer Tracy Weller”
(Read more at the New York Times)
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“an ageless, Russian doll-like specter; a white rabbit, of sorts, leading us into the labyrinth of her own memories and distorted reflections”
(Read more at Stage Buddy)
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“the experience is about as intimate as theatre gets”
(Read more on Theater is Easy)
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“an immensely watchable performance mostly due to the infallible Tracy Weller who’s mastering of the numerous characters is nothing short of absolutely astounding”
(Read more on AXS)
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“a spellbinding performance that begins full of whimsicality and gradually drifts into corridors quivering with madhouse echoes.”
(Read more at Stage Buddy)
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“An exquisitely immersive set design coupled with an eerie and uncomfortable performance makes this piece of downtown theatre haunting and intriguing”
(Read more on Theater is Easy)
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“Within a few seconds, it is easy to forget that you are in a theater and instead feel as if you are a guest in a private home.”
(Read more on AXS)
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“the show is creepy, perverse, and even a bit morbid. That’s my kind of holiday show, but if you’re looking for It’s a Wonderful Life, you’re not going to find it here”
(Read more on Theater is Easy)
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“if you’re an adventurous theatregoer, Holiday House intrigues. Weller’s performance is spine-chilling and riveting. Justin and Christopher Swader’s set design is a triumph. Zach Blane’s lighting and Phil Carluzzo’s sound complete the immersive experience.”
(Read more on Theater is Easy)
